D. J. Herda

So, you've written a book that's a bit offbeat, let's say a fantasy based upon Celtic and Irish folklore. That means it just about but not quite fits into a specific genre, and now you wonder how to find an agent willing to 1.) read it, and 2.) represent it. Is that your problem, Bunky? If so, it's not necessarily as large a problem as you may think.

Okay, I assume you've researched literary agents and what they're looking for in submissions until your eyes turned to glass and fell out of your skull. Lo and behold, not one of them appears to be searching for your exact book. Well, that's actually the good news. Agents (and publishers, by the way) are always looking for good genre fiction that appeals to their existing readers or marketplace and yet that has an exciting new wrinkle to get them salivating. A detective book about the search for a serial killer is pretty generic (spelled "ho-hum"). A detective book about the search for a serial killer who just happens to be the detective, himself, is a stunner. See my point? Both are genre detective stories. Because one is more offbeat than the other isn't a bad thing; it's just the opposite.

So, how do you go about finding just the right agent? Here's how I suggest you proceed. Read More 

Somebody asked, rather skeptically at best, how to turn a 150,000-word manuscript into a one-page synopsis. I mean, it just can't be done. Can it? Can it?

Well, you've probably already guessed the answer to that. Here's what I advised.

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You've received some useful pointers here, most notably the need for you to reduce the total word count of your manuscript by a third. That's true if you ever hope to sell the novel to a conventional publisher or until you make a name for yourself as a top-selling author, at which time you can sell any number of words you want. One not-so-good pointer you received is to write a synopsis with a misplaced modifier in the very first sentence, as in this respondent's example:

"John invites Mary to spend the weekend with him at a cabin by an upstate lake, that his dad has agreed to let him use."

Huh? His dad agreed to let him use an upstate lake?

Besides that little bit of ridiculousness, not one of the respondents to your question actually answered you when you asked How does one go about compressing a 150K novel into a page … The respondents tell you why you should condense your story into a single-page synopsis (which is not a "spoiler"). They tell you what your synopsis should include and why it should include it. But, they never give you a clue as to how to accomplish your goal.

But I will. Read More 

When is the best time to submit a proposal to a literary agent? Or is there a best time? I had been wondering for a while when I came across something from the agents of Bookends Literary Agency, who were recently asked which months they would consider good- versus bad-submission months.

Jessica Faust: I tend not to read any submissions in the month of August. This is the time of year when I take my break to recharge and read only published books. While you can certainly submit in August, it will likely sit in August and sit through the month of September when I’m focused on my clients and getting back in the swing. It’s October when I am likely to really sit down and get my reading in. The tough part about this question is when a good or bad time is depends not on the calendar, but on what is happening in my business. Lately, for example, I haven’t been reading as many submissions since I’ve been busy with my clients. I took on a few new people earlier in the year and have been focused on getting them into the hands of publishers. Next year, I could spend September and October desperately seeking new clients. So for me, submit whenever you want to submit and I appreciate your patience as you wait on my clients and other work.